‘Last Year, When We Were Young’ by Andrew J McKiernan – review by Greg Chapman

DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker, and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Last Year, When We Were Young - coverLast Year, When We Were Young
by Andrew J McKiernan

Satalyte Publishing (www.satalyte.com.au)

Paperback: ISBN 978-0-9925095-2-1
E-book: ISBN 978-0-9925095-3-8

Review by Greg Chapman

Andrew J. McKiernan’s collection, Last Year When We Were Young, is proof yet again of the incredible writing talent that can be found in Australia and further still, proof that horror can have a meaningful voice that goes well beyond blood and gore.

Whether it is a story about a secretary taking phone messages from the dead, a group of clowns trying to avoid forced conscription in a travelling circus, or astronauts encountering cosmic monsters in the depths of space, the impossible in McKiernan’s stories never fails to engage because the stories always orbit characters that are quantifiably human.

McKiernan’s deft hand with prose is also addictive, with each turn of phrase sweeping the reader away from reality. Although many of his supernatural tales exude mysterious atmosphere, demonic forces or faith, I think the stories where the uncanny takes a back seat are where he really shines. Here the horror is less inexplicable, but no less haunting. The tales, White Lines, White Crosses, The Memory of Water, Calliope: A Steam Romance, and the title story being prime examples.

Overall, the collection is engrossing, every story leaving the reader with sensations of loss, hope, melancholy, repulsion and joy. It’s not often that a writer can convey such a broad section of emotions, but this is what makes collections so worthwhile – and enjoyable.

I recall reading one of Andrew’s Facebook posts some time ago about how he was finding it a real challenge to select the stories for Last Year, When We Were Young, but I can safely say that he and Satalyte Publishing have put together a wonderful treasury of fiction that is well worth any reader’s time, horror fan or no.

Amazon: http://www.amazon.com/Last-Year-When-Were-Young/dp/0992509521/
Goodreads: http://www.goodreads.com/book/show/22523234-last-year-when-we-were-young

Review by Greg Chapman (http://www.darkscrybe.blogspot.com/)

A VAMPIRE’S GUIDE TO NEW ORLEANS by Steven P. Unger

NOTE: I wrote this article (which is now incorporated as Chapter 20 of In the Footsteps of Dracula: A Personal Journey and Travel Guide, 3rd Edition) on New Orleans as an homage to one of my favorite cities, one still fresh in my mind and heart after a long-postponed revisit there as an invitee to the Vampire Film Festival’s Midsummer Nightmare last year.

All of the photos in this article are my own, except for the portrait of the Compte de St. Germain and the two pictures otherwise credited. Most of the text is a compendium of others’ words and research. With apologies to anyone I may have inadvertently left out, my online research for this chapter led me to articles from hubpages.com; Kalila K. Smith (whose Vampire Tour I can recommend from personal experience—see http://www.zoominfo.com/p/Kalila-Smith/178024410); New Orleans Ghosts.com; GO NOLA; Brian Harrison; Haunted Shreveport Bossier.com; and Frommers.com. I’ve borrowed freely from all of these sources and recommend them highly to those who would like to delve more deeply into the secrets of this unique city.

If you have ever walked the dark, rainy streets of the French Quarter at night, you have seen the voodoo shops selling their gris-gris and John-the-Conqueror Root. You’ve seen the old woman in the French Market whose pointing finger foretells your death And if you know the right person to ask and you ask in the right way, you’ll be shown to the vampire clubs.

I’ve been in those clubs and seen people who believe with their heart, body, and soul that they are real, live vampires. And some of the people in those clubs are scared to death of a select group of vampires who have only appeared there a few times, and always in the darkest of night. By day, of course, the vampire clubs are closed and locked or turned back into regular tourist bars . . .
–Crazy Horse’s Ghost

St. Louis Cemetery (Photo Courtesy of David Yeagley)

Like the Spanish Moss that drapes the trees of the nearby bayous, mystery and the occult have shrouded New Orleans since its birth. For hundreds of years, families there have practiced a custom called “sitting up with the dead.” When a family member dies, a relative or close family friend stays with the body until it is placed into one of New Orleans’ above-ground tombs or is buried. The body is never left unattended.

There are many reasons given for this practice today—the Old Families will tell you it’s simply respect for the dead—but this tradition actually dates back to the vampire folklore of medieval Eastern Europe. First, the mirrors are covered and the clocks are stopped. While sitting up with the deceased, the friend or family member is really watching for signs of paranormal activity, e.g.,. if a cat is seen to jump over, walk across, or stand on top of the coffin; if a dog barks or growls at the coffin; or if a horse shies from it, these are all signs of impending vampirism. Likewise, if a shadow falls over the corpse. At that point, steps are taken to prevent the corpse from returning from the dead.

Ways to stop a corpse—especially a suicide—from becoming a vampire include burying it face down at a crossroads. Often family members place a sickle around the neck to keep the corpse from sitting up; stuff the mouth with garlic and sew it closed; or mutilate the body, usually by decapitating the head and placing it at the bottom of the feet. But the most common remedy for impending vampirism is to drive a stake into the corpse, decapitate it, then burn the body to ashes. This method is still believed to be the only sure way to truly destroy the undead.

THE CASKET GIRLS

Ask any member of the Old Families who the first vampires to come to New Orleans were, and they’ll tell you the same: it was the Casket Girls.

Much of the population that found their way to New Orleans in the early 1700s were unwelcome anywhere else: deported galley slaves and felons, trappers, gold-hunters and petty criminals. People who wouldn’t be noticed if they went missing.

Sources vary on the specifics, but the basic story is that the city’s founders asked French officials to send over prospective wives for the colonists. They obliged and after months at sea these young girls showed up on the docks, pale and gaunt, bearing only as many belongings as would fit inside a wooden chest or “casquette,” which appears to have been the 18th Century equivalent of an overnight bag. They were taken to the Ursuline Convent, which still stands today, where the girls were said to have resided until the nuns could arrange for marriages.

Some accounts say they were fine young women, virgins brought up in church-run orphanages; some say they were prostitutes. But there are many who swear they were vampires, vampires who continue to rise from their “casquettes” on the third floor to break through the windows and hurricane shutters—windows and shutters that always seem to need repairing after the calmest of nights—to feed upon the transient crowds that for centuries have filled the darkened alleys of the Quarter.

Finally in 1978, after centuries of rumors and stories, two amateur reporters demanded to see these coffins. The archbishop, of course, denied them entrance. Undaunted, the next night the two men climbed over the convent wall with their recording equipment and set up their workstation below. The next morning, the reporters’ equipment was found strewn about the lawn. And on the front porch steps of the convent were found the almost decapitated bodies of these two men. Eighty percent of their blood was gone. To this day, no one has ever solved the murders.

LE COMPTE DE ST. GERMAIN

If there is one person who encapsulates the lure and the danger of the vampire, it is the Compte de Saint Germain. Making his first appearance in the court of Louis XV of France, the Comte de Saint Germain endeared himself to the aristocrats by regaling them with events from his past. An alchemist by trade, he claimed to be in possession of the “elixir of life,” and to be more than 6,000 years old.

At other times the Count claimed to be a son of Francis II Rakoczi, the Prince of Transylvania, born in 1712, possibly legitimate, possibly by Duchess Violante Beatrice of Bavaria. This would account for his wealth and fine education. It also explains why kings would accept him as one of their own.

Contemporary accounts from the time record that despite being in the midst of many banquets and invited to the finest homes, he never ate at any of them. He would, however, sip at a glass of red wine. After a few years, he left the French court and moved to Germany, where he was reported to have died. However, people continued to spot him throughout Europe even after his death.

In 1903, a handsome and charismatic young Frenchman named Jacques Saint Germain, claiming to be a descendant of the Compte, arrived in New Orleans, taking residence in a house at the corner of Royal and Ursuline streets. Possessing an eye for beauty, Jacques was seen on the streets of the French Quarter with a different young woman on his arm every evening. His excursions came to an abrupt end one cold December night, when a woman’s piercing scream was heard coming from Jacques’ French Quarter home. The scream was quickly followed by a woman who flung herself from the second story window to land on the street below. As bystanders rushed to her aid, she told them how Saint Germain attacked and bit her, and that she jumped out of the window to escape. She died later that evening at Charity Hospital in New Orleans.

By the time the New Orleans police kicked in the door of Saint Germain’s home, he had escaped. However, what they did find was disturbing enough. The stench of death greeted the nostrils of the policemen, who found not only large bloodstains in the wooden flooring, but even wine bottles filled with human blood. The house was declared a crime scene and sealed off. From that evil night to the present day, no one has lived in that home in the French Quarter. It is private property and all taxes have been paid to date, but no one has been able to contact the present owner or owners. The only barriers between the valuable French Quarter property and the outside world are the boarded-up balcony windows and a small lock on the door. Whispers of Jacques sightings are prevalent, and people still report seeing him in the French Quarter. Could it be the enigmatic Compte checking up on his property?

ANNE RICE AND THE VAMPIRE CHRONICLES

Lafayette Cemetery (Photo Courtesy of Phil Orgeron)

There is no one who has done more to bring the vampire into the New Age than Anne Rice, born and bred in New Orleans, with her novel Interview with the Vampire and the films and books that followed. Those who have profited mightily from the popularity of True Blood and Twilight owe her a great debt.

The ultra-retro St. Charles Avenue Streetcar will take you close to Lafayette Cemetery No. 1, the gravesite of Louis de Pointe du Lac’s (Lestat’s companion and fellow vampire in Rice’s The Vampire Chronicles) wife and child and where Louis was turned into a vampire by Lestat.

The Styrofoam tomb from the film Interview with the Vampire is gone now, but you can easily find the site where it stood, the wide empty space in the cemetery nearest the corner of Coliseum and Sixth Street.

During the filming of Interview with the Vampire, the blocks between 700 and 900 Royal Street in the French Quarter were used for exterior shots of the home of the vampires Louis, Lestat, and Claudia, trapped for all time with an adult mind in the body of a six-year-old girl. In fact, the streets there and around Jackson Square were covered in mud for the movie as they had been in the 1860s when the scenes took place.

The perfectly preserved Gallier House at 1132 Royal Street was Anne Rice’s inspiration for the vampires’ house, and very close to that is the Lalaurie House, at 1140 Royal Street. Delphine Lalaurie, portrayed by Kathy Bates in American Horror Story: Coven, was a real person who lived in that house and was indeed said to have tortured and bathed in the blood of her slaves—even the blood of a slave girl’s newborn baby—to preserve her youth. She was never seen again in New Orleans after an angry mob partially destroyed her home on April 10, 1834. There is a scene in American Horror Story where Delphine escapes from the coven’s mansion and sits dejectedly on the curb in front of her old home. A private residence now, some locals still swear that the Lalaurie House is haunted, and that the clanking of chains can be heard through the night.

Built in 1789, Madame John’s Legacy (632 Dumaine Street) is the oldest surviving residence in the Mississippi Valley. In Interview with the Vampire, caskets are shown being carried out of the house as Louis’ (Brad Pitt) voice-over describes the handiwork of his housemates Claudia and Lestat: “An infant prodigy with a lust for killing that matched his own. Together, they finished off whole families.”

RESOURCES FOR VAMPIRES

As a service to this most vampire-friendly city (http://www.vampirewebsite.net/vampirefriendlycities.html), the New Orleans Vampire Association describes itself as a “non-profit organization comprised of self-identifying vampires representing an alliance between Houses within the Community in the Greater New Orleans Area. Founded in 2005, NOVA was established to provide support and structure for the vampire and other-kin subcultures and to provide educational and charitable outreach to those in need.”

Their Web site also points out that “every year since Hurricane Katrina, the founding members of NOVA have taken food out on Easter, Thanksgiving, and Christmas to those who are hungry and homeless.” (See http://www.neworleansvampireassociation.org/index.html.)

FANGTASIA, named with permission from HBO after the club featured in True Blood, is an affiliation of New Orleans-based musicians and film and TV producers who for three years have presented a multi-day vampire-centric event of the same name, the first two years at 1135 Decatur and last year at the Howlin’ Wolf. You can follow their plans and exploits via their blog at http://www.fangtasiaevent.com/fangtasia-blog/.

Next year FANGTASIA hopes to create “the South by Southwest of Global Vampire Culture” at an as yet undisclosed location in Greater New Orleans. As they describe it:

Moving beyond this third consecutive year, FANGTASIA is building a broader international draw that will bring fans to not only party at club nights, but also attend conferences, elegant fashion shows, film & TV screenings, celebrity events as well as an international Halloween/party gear buyers’ market.

Participants will experience gourmet sensations, explore our sensuous city and haunted bayous… as well as epically celebrate the Global Vampire Culture in all its sultry, seductive, diverse and darkly divine incarnations. Additionally, FANGTASIA is strategically poised months prior to Halloween to provide corporate sponsors and vendors a perfect window to connect with their core demographic. This also allows FANGTASIA to actively support and promote existing major Halloween events in New Orleans and beyond.

On the subject of vampiric Halloween events, for 25 years the Anne Rice Vampire Lestat Fan Club (http://arvlfc.com/index.html) has presented the annual Vampire Ball (http://arvlfc.com/ball.html), now as part of the four-day UndeadCon (http://arvlfc.com/undeadcon.html) at the end of October; and on the weekend nearest Halloween Night (for example, November 1, 2014) the Endless Night Festival and New Orleans Vampire Ball takes place at the House of Blues (http://www.endlessnight.com/venue/).

The Boutique du Vampyre (http://feelthebite.com/boutique2013.html) is a moveable (literally—they’re known to change locations on short notice) feast of vampire and Goth-related odds and ends, many of them locally made. There are books as well—you may even find a copy of In the Footsteps of Dracula: A Personal Journey and Travel Guide if they’re not sold out. Their Web site itself holds a surprise treat: a link to a free video cast of the first two seasons of Vampire Mob (http://vampiremob.com/Vampire_Mob/Vampire_Mob.html), which is just what the title implies.

Finally, no visit to the Crescent City would be complete, for Vampire and Mortal alike, without a taste of absinthe (http://www.piratesalleycafe.com/absinthe.html), or even more than a taste. There is a ritual to the preparation and serving of absinthe that should not be missed; one of the sites that does this authentically is the Pirates Alley Café and Absinthe House at 622 Pirates Alley.

***

Steven P. Unger is the best-selling author of In the Footsteps of Dracula: A Personal Journey and Travel Guide, 3rd Edition, published and distributed by World Audience Publishers (http://www.amazon.com/Footsteps-Dracula-Personal-Journey-Travel/dp/1935444530/ref=sr_1_1?ie=UTF8&s=books&qid=1262485478&sr=1-1). The 3rd Edition of In the Footsteps of Dracula: A Personal Journey and Travel Guide, available now, includes:

  • References, Web Links, and Costs Updated to March 2014
  • The First Review of Dracula Ever Written, Published in the Manchester Guardian on June 15, 1897
  • A New Section on Bram Stoker’s Dublin
  • A Rare Photo of a Wolf-Dragon, the Original Source of the Name “Dracula,” Carved Within the Ruins of a Prehistoric Dacian Temple in Transylvania
  • A Brand New Chapter: “A Vampire’s Guide to New Orleans”
  • And much, much more!

In the Footsteps of Dracula can be ordered from your local bookstore or online.

 

Perfections by Kirstyn McDermott – review

perfections1Perfections

by Kirstyn McDermott

Published by Twelfth Planet Press

Two sisters. One wish. Unimaginable consequences.

Not all fairy tales are for children.

Perfections is the second novel from Australian writer, Kirstyn McDermott. Originally published electronic-only, it won the Aurealis Award for Best Horror Novel in 2013. Now reissued in print and ebook, it’s entirely worth your time to read it in whatever format you prefer.

It primarily tells the story of a family – two sisters, Antoinette and Jacqueline, and their cold, hard-hearted mother, Sally. It tells a lot more story than this, of course, but it’s one of those books that’s really hard to review without any spoilers. It’s best if every delicious morsel reveals itself as the author intended. Suffice to say that Antoinette discovers a magical ability within herself that greatly complicates everything around her, especially life for her art gallery assistant sister and distant mother.

This book is fantastic in the truest sense of the word, with the darkness of the fantasy beautifully drawn out by McDermott’s lyrical prose. She’s an excellent writer and I think she’s found a voice here far more developed than any of her other work. And the book is dark. It’s a slow and subtle horror, that reveals itself in layers. The first real bombshell hits around the halfway mark after a strong and engaging build-up and the hits keep coming after that. The characters are all beautifully realised, all the moreso for the things we learn about them as the book progresses.

If I have one complaint, it’s that McDermott shies away ever so slightly from the brutality of the end of the story. Events progress to an inevitable climax – at least, one of several potentially inevitable climaxes – yet we see it from a remove and in a kind of shorthand that hadn’t been in effect for the rest of the book, at least not for such key events. Regardless, this is an outstanding book that I can’t recommend highly enough.

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Bound, Alex Caine #1, by Alan Baxter – review by Geoff Brown

DISCLAIMER: Thirteen O’Clock is managed by Alan Baxter, Felicity Dowker and Andrew McKiernan as Contributing Editors. While the Contributing Editors’ roles at Thirteen O’Clock are editorial and critique, all three are primarily writers. It is inevitable that their own work will form part of the Australian and international dark fiction publications which are Thirteen O’Clock’s focus, and as such it is also inevitable that their work will be reviewed at Thirteen O’Clock (to prohibit this would not only be unfortunate for Baxter, Dowker, and McKiernan themselves, but for their hardworking editors and publishers).

Thirteen O’Clock will always have a third party contributor review the Contributing Editors’ work. Such reviews will be unedited (aside from standard corrections to typos and grammar), posted in full (be they negative or positive), and will always be accompanied by full disclosure of Baxter, Dowker, and McKiernan’s place at Thirteen O’Clock. At no point will Baxter, Dowker or McKiernan review their own work.

Bound by Alan Baxter

Bound by Alan Baxter

Bound by Alan Baxter

Harper Voyager 2014

review by Geoff Brown

The first Alex Caine book, Bound, is the inaugural mass market urban fantasy release by Alan Baxter through Harper Voyager, the sci-fi/fantasy imprint of Harper Collins. Urban fantasy describes a work that is set primarily in the real world and contains aspects of fantasy. I received a proof copy of this fantastic book well prior to the release date in June, and read it in three sittings. I thoroughly enjoyed the chance to read this.

Bound tells the story of illegal underground fighter Alex Caine, who has certain abilities that seem magical. Alex can see people’s physical intent prior to their actions, allowing him to react in combat in a way almost impossible. Baxter is a highly-skilled martial artist himself, and writes the fight scenes in ways that are both visceral and realistic. I had no trouble visualising the combat within the book as it was happening, something I always judge in any book that features strong combat scenes. Believable yet exciting fighting is very hard to pull off, and Baxter does it well.

As Bound opens, Caine is approached by a man claiming that magic is real, and that Caine himself is a natural user of magic. What starts as a casual and unwanted job reading a magic text turns into an epic journey of discovery and conflict for Caine. Written as a classic Hero’s Journey, Caine at first refuses the call, yet finds himself unable to avoid the tests thrown at him by the antagonist. The revelation of the mysteries that flow throughout Bound are timed perfectly to maintain and escalate the reader’s interest, keeping up a pace that encourages rather than bores or overstimulates. The plot moves along nicely, and ticks all the boxes. The character development is great, and the overall charm of Bound shines through without being lost in the writing itself.

The first part of the book follows Alex as he is introduced to the real magic inherent in the world around him, and then the antagonist is introduced and the real action kicks in. That’s not to say the first part is without action; that’s simply not the case. But after the main foe makes his appearance, the action level kicks up even more than up to that point. Fantastic creatures appear, all hellbent on taking out Alex, and it is up to him and his, at times unwanted, mentor and companion to survive and follow the clues to the climax. By the end, all the subplots are wound up nicely, but I did think the ending came on a little fast once it hit. There is certainly room in the ending and the mythos for further Alex Caine adventures, and the clue that these are forthcoming is the text ‘Alex Cain #1’ that is blindingly obvious on the cover of the Advance Review Copy I was gifted by the publisher. To tell you the truth, I can’t wait to see where this exciting and compelling new series will go from here.

***

photo.phpGeoff Brown is an Australian writer raised in Melbourne’s gritty Western Suburbs. He writes as GN Braun. He is a trained nurse, and holds a Cert. IV in Professional Writing and Editing, as well as a Dip. Arts (Professional Writing and Editing). He writes fiction across various genres, and is the author of many published short stories. He has had numerous articles published in newspapers, both regional and metropolitan. He is the past president of the Australian Horror Writers Association and past director of the Australian Shadows Awards. He is an editor and columnist for UK site This is Horror, and the guest editor for Midnight Echo #9. His memoir, Hammered, was released in early 2012 by Legumeman Books. He is the owner of Cohesion Editing and Proofreading, and has now opened a publishing house, Cohesion Press.

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2014 Ditmar Award winners announced

Last weekend at Continuum X, the 53rd Australian National Science Fiction Convention in Melbourne, the winners of the 2014 Ditmar Awards were announced. They are:

BEST NOVEL

“Fragments of a Broken Land: Valarl Undead” by Robert Hood (Wildside Press)

BEST NOVELLA OR NOVELETTE

“The Home for Broken Dolls” by Kirstyn McDermott (Caution: Contains Small Parts, Twelfth Planet Press)

BEST SHORT STORY

“Scarp” by Cat Sparks (The Bride Price, Ticonderoga Publications)

BEST COLLECTED WORK

“The Bride Price” by Cat Sparks (Ticonderoga Publications)

BEST ARTWORK

“Rules of Summer” by Shaun Tan (Hachette Australia)

BEST FAN WRITER

Sean Wallace, for body of work, including reviews in Adventures of a Bookonaut

BEST FAN ARTIST

Kathleen Jennings, for body of work.

BEST FAN PUBLICATION IN ANY MEDIUM

Galactic Chat Podcast, Sean Wright, Alex Pierce, Helen Stubbs, David McDonald and Mark Webb

BEST NEW TALENT

Zena Shapter

Congratulations to all the winners and nominees!

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2013 Australian Shadows Awards shortlists announced

Yesterday, the 2013 Australian Shadows Awards shortlists announced. Here they are:

For Edited Publication:

MIDNIGHT ECHO 9, BY GEOFF BROWN
A KILLER AMONG DEMONS, BY CRAIG BEZANT
BABY TEETH – BITE SIZED TALES OF TERROR, BY DAN RABARTS AND LEE MURRAY
STAR QUAKE 1, BY SOPHIE YORKSTON

For Collected Works:

This year, there is no shortlist. In 7 days, the winner will be announced.
(No, this makes no sense to us, either.)

For Short Fiction:

NIP, TUCK, ZIP, PLUCK, BY JOHN PAUL FITCH
FENCE LINES, BY JOANNE ANDERTON
THE NEST, BY C.S. MCMULLEN
CATERPILLARS, BY DEBBIE COWENS
THE DEAD WAY, BY JC HART

For the PAUL HAINES SHADOWS AWARD for LONG FICTION:

SOUL KILLER, BY ROBERT HOOD
THE HOME FOR BROKEN DOLLS, BY KIRSTYN MCDERMOTT
THE UNWANTED WOMEN OF SURREY, BY KAARON WARREN

For Novel:

UNDEAD KELLY, BY TIMOTHY BOWDEN
TOPSIDERS, BY SCOTT TYSON
809 JACOB STREET, BY MARTY YOUNG

Congratulations to all the nominees. The winners will be announced in 7 days.

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Here With The Shadows by Steve Tasnic Tem – review by Mario Guslandi

mid_shadows1Here With The Shadows

by Steve Rasnic Tem

Swan River Press 2014

First Edition Hardcover, 165 pages

A review by Mario Guslandi

Here’s a short story collection by an American writer, published by a small British imprint, reviewed by an Italian reviewer and posted on an Australian website. Globalization has reached the world of dark fiction and this is a good thing because the present volume deserves to be enjoyed by as many readers as possible.

Steve Tem is a very prolific author of  “quiet” horror in its various shades, probing the secrets hidden in the human heart, which is the very source of any real horror. In his work you’ll hardly find monsters, gore and violence; you’ll find the sad, disquieting side of the horrors that affect our daily  life.

This particular collection is devoted to ghost stories, but, again, you won’t find here howling spectres lurking in old castles, but disturbing shadows lingering at the corners of our towns and cities. And most of those shadows are images of a past that still haunt our souls.

Among the fifteen tales assembled in the book, most are really outstanding examples of how good Tem is at his best.

The title story “Here with the Shadows” is a delicate, insightful piece where an old man lives his last days surrounded by a crowd of shadows, the shadows of the dead, while “A House by the Ocean” is a mesmerizing ghost story full of sorrow and despair, featuring two sisters separated for too long.

In the gentle  “G is for Ghost”, the main character is the ghost of a child, while in the subtly unnerving “Telling” the hidden secrets of a haunted house are finally disclosed.

“Back Among the Shy Trees” is an enigmatic, disturbing tale where a man returning to his now abandoned family house discovers some sinister facts about his long forgotten childhood.

“Seeing the Woods”, a story of intense lyricism, portrays an old semi-blind lady living in a cabin in the woods. Here the ghosts are those of her beloved trees burned down during a fire.

The nostalgic, melancholy “Smoke in a Bottle” depicts how the past is a ghost haunting our present and “Est Enim Magnum Chaos” is yet another great story about life and death, loneliness and old age, where people, as in the lyrics of the famous song “Ol’ Man River” are “tired of living but scared of dying”.

All great stuff.

-Review by Mario Guslandi